{"id":1996,"date":"2026-04-23T17:41:44","date_gmt":"2026-04-23T17:41:44","guid":{"rendered":"https:\/\/garabetanu.com\/new\/?page_id=1996"},"modified":"2026-04-24T17:34:10","modified_gmt":"2026-04-24T17:34:10","slug":"exils","status":"publish","type":"page","link":"https:\/\/garabetanu.com\/new\/exils\/","title":{"rendered":"Exils"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1996\" class=\"elementor elementor-1996\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5d31522 e-flex e-con-boxed e-con e-parent\" data-id=\"5d31522\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-79dcd1c e-flex e-con-boxed e-con e-child\" data-id=\"79dcd1c\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d70a52d elementor-widget elementor-widget-heading\" data-id=\"d70a52d\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.19.0 - 28-02-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">EXILS <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ad4f987 e-flex e-con-boxed e-con e-parent\" data-id=\"ad4f987\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-0c286a9 e-con-full e-flex e-con e-child\" data-id=\"0c286a9\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a0ea51d elementor-widget elementor-widget-text-editor\" data-id=\"a0ea51d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.19.0 - 28-02-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Calina Gallery<br \/>24 January &#8211; 28 February 2008<br \/>curated by Olivia Nitis<\/p><p>THE TRAUMA OF BEING IN A BODY<br \/><br \/><\/p><p>In theories about the body, a central place is occupied by the idea of the body as a form of representation, as a product of gender technologies, as defined by Foucault and later by Teresa de Lauretis, which shape the body according to historical and socio-cultural contexts. In this sense, corporeality expresses nothing more than an identity that changes over time \u2014 that of gender \u2014 constructed through social interactions. However, the body is not merely a passive structure; it is shaped through choices, while also absorbing a vast array of influences necessary for social integration.<\/p><p>Cristina Garabetanu\u2019s photographs investigate precisely this complex relationship between the individual and their body, with what could be described in psychoanalytic terms as the persona. The young artist engages with a field explored especially in feminist art of the 1960s and 1970s, which brought the body into focus as a cultural sign and as a repository of experiences and previously unexpressed traumas<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ecec56f e-flex e-con-boxed e-con e-parent\" data-id=\"ecec56f\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-be22632 elementor-widget elementor-widget-toggle\" data-id=\"be22632\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.19.0 - 28-02-2024 *\/\n.elementor-toggle{text-align:left}.elementor-toggle .elementor-tab-title{font-weight:700;line-height:1;margin:0;padding:15px;border-bottom:1px solid #d5d8dc;cursor:pointer;outline:none}.elementor-toggle .elementor-tab-title .elementor-toggle-icon{display:inline-block;width:1em}.elementor-toggle .elementor-tab-title .elementor-toggle-icon svg{margin-inline-start:-5px;width:1em;height:1em}.elementor-toggle .elementor-tab-title .elementor-toggle-icon.elementor-toggle-icon-right{float:right;text-align:right}.elementor-toggle .elementor-tab-title .elementor-toggle-icon.elementor-toggle-icon-left{float:left;text-align:left}.elementor-toggle .elementor-tab-title .elementor-toggle-icon .elementor-toggle-icon-closed{display:block}.elementor-toggle .elementor-tab-title .elementor-toggle-icon .elementor-toggle-icon-opened{display:none}.elementor-toggle .elementor-tab-title.elementor-active{border-bottom:none}.elementor-toggle .elementor-tab-title.elementor-active .elementor-toggle-icon-closed{display:none}.elementor-toggle .elementor-tab-title.elementor-active .elementor-toggle-icon-opened{display:block}.elementor-toggle .elementor-tab-content{padding:15px;border-bottom:1px solid #d5d8dc;display:none}@media (max-width:767px){.elementor-toggle .elementor-tab-title{padding:12px}.elementor-toggle .elementor-tab-content{padding:12px 10px}}.e-con-inner>.elementor-widget-toggle,.e-con>.elementor-widget-toggle{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1991\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1991\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg class=\"e-font-icon-svg e-fas-caret-right\" viewBox=\"0 0 192 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M0 384.662V127.338c0-17.818 21.543-26.741 34.142-14.142l128.662 128.662c7.81 7.81 7.81 20.474 0 28.284L34.142 398.804C21.543 411.404 0 402.48 0 384.662z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg class=\"elementor-toggle-icon-opened e-font-icon-svg e-fas-caret-up\" viewBox=\"0 0 320 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M288.662 352H31.338c-17.818 0-26.741-21.543-14.142-34.142l128.662-128.662c7.81-7.81 20.474-7.81 28.284 0l128.662 128.662c12.6 12.599 3.676 34.142-14.142 34.142z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Read more<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1991\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1991\"><p>The avant-garde created a rupture from traditional forms of art, while the Playboy culture of the 1960s significantly influenced representations of the body. Alongside feminist discourse, which uses the body to critique the loss of identity with cultural, political, and social implications, sexual liberation also introduced the image of the consuming woman \u2014 in contradiction with feminist principles, yet aligned with post-feminist directions.<br>For a young artist in contemporary Romania, the assumption of an explicit approach to biological exhibition constitutes a courageous act, largely absent from the local art scene, particularly in art practiced by women, precisely because it confronts forms of censorship. The untrained viewer often reacts in a harsh and crude manner to the body stripped of its clothing conventions. As a result, such artistic expressions continue to provoke negative reactions in the local context, due to a lack of visual education.<br>Cristina Garabetanu\u2019s black-and-white photographs have the power to communicate trauma \u2014 a process of alienation experienced by a woman trapped within her own body. It is no coincidence that the young artist employs a self-referential discourse. This investigation of identity involves the woman as body, as biological presence, in the sense articulated by Judith Butler, building on Michel Foucault\u2019s theories, where the body is understood as a performative element that plays a role, a surface inscribed and shaped by practices of power.<br>Cristina Garabetanu\u2019s photographs are not comfortable. They exist at the threshold between direct expression and the constructed act of assuming a role, examining the effects of personal schizoidity.<br>The dichotomies of sexual politics of the gaze (passive\/active, subject\/object, etc.) no longer serve an idealistic vision of the body, but instead enter a much deeper cultural sphere within a realist-contemporary philosophy. The woman is no longer an embodiment of beauty, a passive element to be contemplated. She is her own subject. She is a human being, with a biological and psychological identity brought into question by Cristina Garabetanu in relation to social norms, the prejudices of contemporary society, and the public and private spaces that function as sites of constraint and alienation. \u201cKnow yourself\u201d remains one of humanity\u2019s most difficult challenges.<br>Cristina Garabetanu\u2019s works contain her, while at the same time expressing the obstacles that stand in her own way.<\/p><p>(text by&nbsp;Olivia Ni\u021bi\u0219)<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9744f5c e-flex e-con-boxed e-con e-parent\" data-id=\"9744f5c\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-89789b8 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